Category Archives: Hip-Hop Culture

Black America We Have A Significant Culture Problem: Essence Festival 2023

I am old enough to remember when Essence covered the diverse nature and multiple issues of Black women living in a white man’s world. Essence went further in their coverage of Black women than merely printing beautiful pictures of them; there was no beauty of the week centerfold within the pages of Essence. I recall the presentation and discussion of substantive issues impacting Black America and Black women. When one desired exposure to the multi-faceted nature of Black women, Essence was mandatory reading.

The recent performances of Megan Thee Stallion and Janelle Monáe at Essence Festival reflect the diversity found among Black women regarding how they choose to present themselves to a world whose amused contempt and pity rise with the risqué nature of the presentation. At the same time, the alluded performances have resurfaced an essential issue among Black America regarding what a Black woman should be and should do. It can be reasonably stated that Black women have never been monolithic in any facet of life. This rich diversity of thought, dress, language, and public behavior has unfortunately forced a conversation that sadly ends in the conclusion that there is now a vocal minority population that can no longer be considered a credit to the Race regardless of the evaluation criterion.

In a long-forgotten comedy special, Chris Rock made the shocking statement that a Civil War is occurring in Black America between Black people and Niggas, and Niggas have got to go. Although I would like to cite the recent performances of Megan Thee Stallion and Janelle Monáe as the catalyst to a significant split regarding public decorum, morality, and sensibility among Black women, the truth of the matter is that those issues have been gradually worsening at an increasingly rapid pace for decades. Somewhere along the way, many, certainly not all, Black women have abandoned Black America’s cultural norms and chosen to violate our ancestors’ age-old advice to not go out and “show your color.”

One needs to look no further than the response that artist India Arie’s reaction to the performances mentioned above that, including a twenty-woman twerk fest from festival attendees at Meg’s invitation or Janelle Monáe’s idiotic decision to bare a pasty-covered nipple to the disappointment of Black men, women, and children attending the Essence Festival. Arie issued the following constructive criticism in the wake of the performances.

Is everything for KIDS? No, is everything for EVERYBODY? So when we as a culture make something like this mainstream, it shows a lack of discretion and discernment.

The response that the above comment received from a vocal minority was telling due to its wicked, horrific, and unceasing nature. Supporters of the public twerk fest and unnecessary display of nudity dismissed India Arie’s criticism as irrelevant and out of touch with the times. Undoubtedly, a significant segment of our population celebrates the devolving culture threatening to bar Black success permanently.

This championing of socially unacceptable brutish behavior among Black women and girls is proving to be a significant threat to Black America’s existence. One needs to look no further than the manosphere to encounter Black men expressing frustrations regarding the absence of marriageable Black women. Many alluded men have reacted to the declining numbers of what they deem suitable Black women by searching foreign lands for a lifetime mate.

The most frightening aspect of this matter is that the decline of marriageable Black men and women is an unprecedented threat to Black existence. However, there appears to be no way of stopping this cultural devolution that ultimately results in Black women celebrating their status as bitches, hoes, and baby mommas and Black men as uneducated, inarticulate thugs, absent a modicum of discipline. Unbeknownst to those who are reveling in copious amounts of ignorance, their Black contemporaries disapprove of their flawed value system and display a penchant for leaving them behind as they build lives worth living.

In time, the developing gap between an educated class of responsible, forward-looking Blacks and a have-not class will be too vast for the latter group who have chosen to twerk their way through life when they should have been working to cross. Fortunately for future generations of Black America, the formula for creating a life worth living remains available if they desire it. If not, they should seek out their tribe and be prepared to “throw that ass in a circle.”

We need Black men and women to do better!!!!!!

Immediately!!!!!!!

James Thomas Jones III, Ph.D.

©Manhood, Race, and Culture, 2023

 

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Kanye???? What The Fuck Was That?: Kanye Confirms What We Already Knew

Although each of us hates to admit it, something is alluring about an automotive accident or unexpected incident that causes us to strain our necks to capture a glimpse of what is occurring. Unfortunately for those of us who love Black people, one of our own has managed to turn himself into a twenty-car crash or, better yet, a living conundrum that offers not an inkling of there ever being a solution to this walking human problem. The individual that I am referring to is Mr. Kanye West.

Not a week goes by that Mr. West does not position himself as a veritable sideshow for on-lookers to gawk at and shake their heads in disbelief. If nothing else, Mr. West deserves credit for drawing the attention of fans and critics alike via physical appearance, public statements, or outrageous personal and business relationships. My parent’s generation would dismiss Mr. West as “just a hot mess.” Mental health clinicians consider Kanye a classic example of what happens when mental illness is left unchecked for too long. A process that is exacerbated when the mentally ill can surround themselves with enablers seeking to profit financially by allowing their misery to continue.

In the latest episode of this fool is crazy for real. Mr. West is publicly proclaiming, proudly, I might add, that he “has never read a book.” This declaration comes to the chagrin of Black educators who strive daily to push against the negative impact that illiteracy has on Black America. Making matters worse, Mr. West’s declaration indirectly mars the legacy of his beloved mother, Donda, an English Professor.

As if Mr. West’s prideful declaration of having never read a book were not enough for this week’s Kanye tragedy, he doubled down on his idiocy by informing the world of his plans to open a school, the Donda Academy, on land owned by hip-hop artist Young Thug; a figure currently imprisoned due to a host of criminal charges too numerous to list.

Unfortunately, one of the foremost consequences of Kanye West losing touch with reality some time ago is that he has lost any understanding of collectivism. Somewhere along the way, Mr. West, and those of his ilk, abandoned the classic hip-hop mantra of “we all, we got” in favor of a self-centered “I gotta get mine’s, you gotta get yours” self-serving Capitalist ethos. A position that weakens us all in the end.

I have tired of questioning if figures such as Kanye West understand how an utterance such as “I have never read a book” impacts, Black children. I refuse to spend a moment of my time analyzing why Mr. West felt the need to avoid reading or felt compelled to reveal this cavernous flaw for all to see. My efforts are better served by being aimed at making the world a better place for our children to flourish than seeking to unravel what is in Kanye’s mind.

Unfortunately, a portion of Black America has made the conscious decision to travel the same road that Kanye has chosen, meaning to avoid reading or illuminating the mind through something beyond a conspiracy-laced YouTube video or lowbrow podcast devoid of much substance. It is time that someone labeled such individuals as enemies of our people and efforts to liberate Black America. You know those I am speaking of; they are not indifferent to education but hostile to learning.

Trust me when I say that those who choose to travel down the road that Mr. West has admittedly traveled by shunning the gifts/talents and the work needed to hone those gifts will regret their choice. Unbeknownst to such people, the fact that America moved away from a manufacturing economy to a service and technology economy long ago is lost on them. The decision of segments of Black America not to adapt to these changes will be their death.

I am ultimately left with nothing more to say to Mr. West than the words of DeRay Davis in his best Bernie Mac voice,

Kanye, what the fuck was that…

James Thomas Jones III, Ph.D.

©Manhood, Race, and Culture, 2022

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You can always contact me at ManhoodRaceCulture@gmail.com with ideas and issues that you would like to have addressed.

 

 

In Honor of Biz Markie: Rest Well My Friend

I am truly saddened to hear of Biz’s passing, he is one of those artists that moved Hip-Hop culture in new and inventive ways. Possibly the most disturbing aspect of Biz’s career is that recent generations only know him for “Just a Friend” his depth and musical breadth was so much wider and vast than that.

So, I wanted to share something that many may have never heard from Biz and decided on this recording. Please enjoy the heck out of this because “can you feel it? Nothing can save ya for this is the season for catching the vapors. And since I got time what I’m gon’ do is tell you…

The Reagan and Bush Years: When The CIA Dumped Crack Cocaine into Black America

Why The Scuttlebutt About Cardi B and Megan Thee Stallion is Nothing New aka What is the Most Reliable Path for Black Women to be Noticed

One of the many benefits of teaching at an HBCU is that it forces you to remain abreast of popular culture trends. There is rarely a week that passes that some new “trend” reminds me that I am now a middle-aged man who has almost, I do emphasize almost, seen it all. Although I would love to say that the cultural factors that shaped my childhood are long gone. The truth of the matter is that they remain present. When I see today’s youth culture, I am reminded of rapper Q-Tip of a Tribe Called Quest who offered the following brilliance in the song Excursions.

Back in the days when I was a teenager

Before I had status and before I had a pager

You could find the Abstract listening to hip hop

My pops used to say, it reminded him of be-bop

I said, well daddy don’t you know that things go in cycles

The way that Bobby Brown is just ampin’ like Michael

Prior to the global pandemic’s arrival, there was rarely a day that I was not reminded that my generation, the creators of Hip-Hop Culture, have been pushed from the center stage by younger African-Americans.

Let me be honest about this situation, there is regret and bitterness that afflicts every generation when their time under the spotlight ends. This moment breeds regret regarding things that you wish could have been said, attempted, or accomplished. If one is not careful, you will find yourself steeped in a self-promoting generational warfare battle that you are bound to lose.  I have done my absolute best to not participate in intra-racial cultural wars that ultimately paint me as some miser whose present is marred by an envious view of these anonymous historically and culturally illiterate kids who lead Hip-Hop Culture today.

Trust me when I say that the urge to denounce black youth culture is omnipresent, in fact, it often appears that young African-Americans are begging us to do such.

The latest invitation to criticize today’s hip-hop generation arrived via the imagery and video of rappers Cardi B and Megan Thee Stallion. If it can be stated that “a picture is worth a thousand words,” the referenced photo communicates a host of things that generations of black folk have fought against with all their might. We must never forget that although black men have been socialized within a white patriarchal society that there are many who possess enough wisdom and courage to take definitive action to protect black women who Malcolm X characterized as “the most disrespected person on the planet.”

Considering that I am one of the black men who have dedicated much of their lives to protecting and uplifting black women, Cardi B and Megan Thee Stallion could present a dilemma that revolves around a question of should that type of black woman be protected by black men. Keep in mind that I said COULD present quite a dilemma. In actuality the dilemma is non-existent.

The historically literate in our midst realize that the imagery and message being promoted by some record company for profit is not much different than previous rap songs and videos such as Luther Campbell’s Scarred, Too Short’s Blowjob Betty, Ying Yang Twins Wait, Ludacris What’s Your Fantasy, Missy and Ludacris One Minute Man, Khia My Neck My Back, 2 Live Crew We Want Some Pussy & Pop that Pussy, and the list goes on and on.

We all should understand that imagery matters. So, regardless of how you consider the marketing campaign surrounding Cardi B and Megan Thee Stallion, it is impossible to argue against the assertion that this presentation matters. Some blacks are cringing at the imagery because they believe that it verifies bigoted whites’ stereotypes of Black America. I will tell you the truth, I am unconcerned with outsiders’ view and belief systems that never fail to amplify occurrences of ignorance while ignoring more plentiful moments of black excellence.

My concern is focused on the impact that negative hip-hop images and messages have on emerging generations of black boys and girls devoid of effective parental supervision and guidance. Let’s keep in mind that they are both digesting these images. The haunting words of James Baldwin remind us that

Children have never been very good at listening to their elders, but they have never failed to imitate them.

Equally important is the unfortunate reality that it is Cardi B and Megan Thee Stallion who stand at the forefront of debates surrounding black women. They are certainly black women, however, they are far from a fair representation of black womanhood.

CARDI 1

Nevertheless, the centerstage status of Cardi B and Megan Thee Stallion has once again muted the genius and incalculable ingenuity of black girls and women that I know. At a moment where it appears that Presidential hopeful Joe Biden is poised to select a black woman as his running mate, Black America is engrossed in criticism regarding a cultural expression that is far from new.

Such developments leave me with no other reasonable conclusion than the following one. If black women really want to be heard, intelligence is not the most reliable path. A more productive path appears to pattern themselves after black cultural icons such as Lil Kim, Khia, and Foxy Brown; put simply, they should use their physical attributes to get what they want. After all, that is the message that men, regardless of race/ethnicity, have given to black women throughout the annals of time.

So, in the words of UGK,

Let me see it, let me see it

Let me see it, let me see it

Let me see it, let me see it

Let me see it, bend over and let me see it

Let me see it, let me see it

Let me see it, let me see it

Let me see it, let me see it

Bend over and let me see it

If you do that, I guarantee you that you will be ushered to center stage and the world will notice you.

Dr. James Thomas Jones III

©Manhood, Race, and Culture, 2020.