Tag Archives: Hillary Clinton

Introducing Emcee Joey B.: Why it Would be Wise for Joe Biden and the Democratic Party to Cease Public Pursuits of Coolness

If you want to understand how White folk really feel about Blacks, one needs to do little more than to listen intently to the words that come out of their mouth. I guess it is misleading to limit the way that others communicate to merely the words, communication is found in dress and posture; not to mention the implementation of the “cool” via the implementation of Black slang.

Although there are literally millions of examples of White people seeking to capture an elusive “coolness” that Blacks naturally emanate, my personal favorite comes from middling R&B singer Jon B. In an interview conducted for a Black media outlet, Jon B., wearing black shades and a do-rag, slouched back as if he were a member of a local black gang and answered a Black reporters question of what it felt like to record a song with Tupac Amaru  Shakur. In a drawl that reminds one of a person basted in the essential elements of Black cool, Jon B. slurred the following.

“Maine, Pac told me to not waste my time or my talent.”

I am quite certain that Jon B.’s handlers told him that his “performance” before Black media was perfect in anticipation that Negroes would eat it up, consider him an honorary Black, and purchase a treasure-trove of recordings. Little did he realize that his desperate attempt to assume the cool pose guaranteed that I and a host of others would never even listen to another of his songs, let alone make a purchase. His antics relegated him to the status of a modern day T.D. Rice, the most infamous of all Black-faced minstrel performers.

In the 90’s we had Jon B., today we have emcee Joey B. aka Presidential hopeful Joe Biden, the hippest septuagenarian in the nation.

There is little doubt that Democratic Party leaders will never forget the reminder that Hillary Clinton’s failed Presidential bid placed in their lap. The alluded to message is that Black America remains the lynchpin to Democrats re-capturing the White House. The fact that it is impossible for the Democratic Party to recapture the White House without Black voters explains emcee Joey B.’s obsession with selecting a Black female to serve as his running mate in the 2020 Presidential election. Despite the gross ineptitude of Black leaders, Black America remains in an advantageous power position within the Democratic Party; without Black America’s support, there is no hope for political success.

Apparently, the desperate desire to accomplish something that Hillary Clinton failed to do, that being, securing the Black Vote, led Joey B. to unveil a hipster-persona during a recent interview with Black Popular Culture icon Charlamagne da God on the wildly popular Breakfast Club Morning Show. As expected, emcee Joey B. went on the attack and all attempted to place yet another dubious qualifier on the lengthy Black Card list that is used to both qualify and disqualify a person’s Blackness. According to Joey B.

…if you have a problem figuring out whether you’re for me or Trump, then you ain’t Black…Take a look at my record, maine!!!!

Even Charlamagne da God found Biden’s tirade off-putting.

Were I provided the opportunity to advise emcee Joey B. I would inform him that the Black voter is far more sophisticated than he could ever imagine. Although we are a rhythmic people whose souls soar as a result of inspirational words, we also have reached a point where lyrical “razzle dazzle” no longer is sufficient to secure our loyalties; much of Black America desires substance from those seeking their votes, not the use of cultural tropes and snazzy sayings. If Biden’s campaign leaders really understood Black America, they would have realized that his Joey B. alter-ego was not endearing him to Blacks rather giving them a clear view that he is actually not any different from the series of Presidents who precede him; meaning that they are not really interested in aiding Blacks in the achieving racial equality.

An additional piece of advice that I would share with emcee Joey B. is that he may want to stop imploring Black America to investigate his political life because it is not as sterling and progressive as he and Democratic Party leaders would like us to believe. Consider for a moment that emcee Joey B. was the creator of the 1994 crime bill during the Clinton Administration. It was emcee Joey B’s pen that put the following draconian measures into effect.  

  • Expansion of the federal death penalty.
  • An escalation of harsh sentencing laws.
  • The “three strikes” and you are out laws that made it mandatory that those with at least three federal-level violent crimes or drug convictions received a life sentence.

I am sure that Democratic Party officials are fearing that Black voters will not be energized by emcee Joey B.’s soft-shoe minstrel performances. They should be afraid as his message is off-key, off-putting, and in many ways focused on defeating Trump and not what a vote for him would secure for Black America.

In fact, the most significant portion of Joe Biden’s attractiveness is not due to anything that he has said, done, or stands for. Sadly, it appears that his status as an alternative to the current Oval Office occupant is his most attractive feature. If the Democratic Party is not careful, Black America may stay home in the upcoming election as they feel that Biden is not much different than Trump. Unless Biden’s alter-ego emcee Joey B. is put to rest quick, fast, and in a hurry, in favor of a respectful political leader who develops and shares what his administration has to offer to Black America, it will be argued that Blacks should abstain from supporting the Democratic Party because from where Black America sits, their present choices seem so similar that it is like choosing between Satan, Lucifer, and the Devil; you’re going to Hell with all three.

May God bless Black America with truth, wisdom, and understanding as they seek to navigate this political minefield.

Dr. James Thomas Jones III  

© Manhood, Race, and Culture, 2020.